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THE JAZZ HARMONY BOOK by NY pianist David Berkman will be an instant classic. The Jazz Harmony Book is a course in how to add chords to melodies, showing how a single melody can give rise to rich harmonic
variations. Endorsed by Kenny Werner, Fred Hersch, Mark Levine, and others, this book fills a big gap in the jazz literature and will be used by generations of jazz musicians to learn both the basics and subtleties of Jazz Harmony. Includes two CDs.
- Sales Rank: #208665 in Books
- Brand: Sher Music
- Published on: 2013-12-31
- Formats: Audiobook, CD
- Original language: English
- Number of items: 2
- Dimensions: 11.26" h x .67" w x 8.86" l, 1.29 pounds
- Binding: Spiral-bound
- 206 pages
Review
KENNY WERNER SAYS: This is a definitive study of harmony from someone who knows harmony. The Jazz Harmony Book is a great way for musicians to completely understand and implement harmony in their music. He makes a great point that jazz has evolved mostly rhythmically. And while he pays full tribute to rhythm and the
excitement of this modern music, he makes the very true point that while rhythm has evolved, harmony in modern music seems to have devolved. Perhaps if up-and-coming jazz musicians follow David s insightful path to harmony, that might change! --Private correspondence
FRED HERSCH SAYS: This book is very comprehensive and well-organized and one of the better books I have seen on this subject. The Tips for Composers alone are worth the price of the book. --Private correspondence
MICHAEL PHILIP MOSSMAN SAYS: Since David Berkman was appointed to the Aaron Copland School at Queens College, the difference in the level of sophistication of our graduates in both performing and composing has been tremendous. Musicians get much more value from all of our courses because of the understanding they gain from the material contained in this book. When musicians understand harmony they hear more detail in the music and can participate at a much higher level. David has a gift for explaining complex ideas and guiding musicians along the path of learning jazz harmony. This book is invaluable! --Private correspondence
FRED HERSCH SAYS: This book is very comprehensive and well-organized and one of the better books I have seen on this subject. The Tips for Composers alone are worth the price of the book. --Private correspondence
MICHAEL PHILIP MOSSMAN SAYS: Since David Berkman was appointed to the Aaron Copland School at Queens College, the difference in the level of sophistication of our graduates in both performing and composing has been tremendous. Musicians get much more value from all of our courses because of the understanding they gain from the material contained in this book. When musicians understand harmony they hear more detail in the music and can participate at a much higher level. David has a gift for explaining complex ideas and guiding musicians along the path of learning jazz harmony. This book is invaluable! --Private correspondence
About the Author
David Berkman is one of the top jazz pianists in New York with seven records out under his own name. He has performed or recorded with countless jazz stars including Sonny Stitt, Joe Lovano, Eddie Henderson, Brian Blade,Dave Douglas, Chris Potter, etc. An in-demand jazz educator on three continents, he is an associate professor of music at Queens College in NY.
Most helpful customer reviews
45 of 46 people found the following review helpful.
The best there is on Jazz Harmony
By A.J
Finally found what I was looking for after all these years.
Let's start with the fact that you need a fundamental music knowledge to enter into the realm of jazz harmony. The book does start from the very beginning of I IV V I cadence, but if you're absolutely new to music chances are you wouldn't know what that means. I would say the prerequisite for this book is basic sight reading (treble clef and bass clef), major and minor scales, triads, and intermediate piano skill (which fortunately provided as one of the appendices).
The book is piano focused, which is excellent for all jazz pianists out there. All examples are written on grand staff and voiced using piano on the 2 CDs. Other instrument players will have to transpose the piano voicing into their own instrument which is not always possible if you want to copy exact voicing e.g. 8 note voicing in piano cannot be exactly replicated in guitar which only allows a maximum of 4 (or 5 if you use the thumb) finger note voicing.
Now let's get to the meat of the book. I finding a hard time to explain anything but saying this is it! I have nothing else to say. If you want to learn jazz harmony I haven't found and cannot recommend anything else but this book. I do have a library of jazz tutorial books but I cannot find a book on the same calibre and effectiveness compared to this one. It's kinda puzzling why this books only comes out in 2013. Well it's better late than never I guess. It would save me years of training had this book was available the first time I fell in love with jazz.
The book departs from a very basic I IV V cadence progressing to very advanced concepts. Surely there are other books out there which deliver the same material, but the additional star of this book belongs to the delivery. Dave's teaching flows very well and it makes sense. When I understand something, I remember it easily. He talks why and how harmony works, whereas other books talk about only which harmony works. And the book encourages you to apply the theory. Although the CDs are very clear, it feels like you just want to try it on the piano asap.
I have not much else to say. Despite a few typos here and there, and Track 32 on the CD is not what's written on the book, I find this book perfect regardless. So thank you Dave Berkman, I made a huge leap of progress in my jazz harmonic study thanks to your book. I would highly recommend this book to anyone interested in learning practical jazz harmony.
And since there is no content page on either Shermusic or Amazon, here it is (hope it helps with your buying decision):
Introduction
PART 1 - THE HARMONIC UNIVERSE OF A KEY
The First Circle: I, IV and V& Chords
The Second Circle: Diatonic Seventh Chord Substitutions for I, IV and V7
The Third Circle: Secondary Dominant Seventh and Related ii Minor7 chords
Understanding the Geography of Standard Tunes: Jazz Cadences and Turnarounds
The Fourth Circle: Passing Chords
The Fifth Circle: Modal Interchange Chords
The Last Circle: Tritone Substitutions
The Harmony of Minor Tunes
Another Approach to Jazz Harmony Using Diminished Chords
Deep Structure, the Right Changes and Re-Harmonization
PART 2 - BEYOND THE HARMONIC UNIVERSE: RULES FOR NON-FUNCTION
Eleven Organizing Principles of Non-functional Chord Progressions
Same Root, Different Chord Quality
Slash Chords
Harmonizing a Bass Line
Chords Built in Fourths
"Giant Steps"
Color Chords
Parallel Chords that use Exact Transposition (planning)
Pedals
Chord Subtraction
Unavailable Tensions
Incomplete Chords
Conclusion
Appendix A: Tips for Composers
Appendix B: Piano Basics
17 of 18 people found the following review helpful.
Pianists: work through this book to expand your harmonies!
By Wade Cottingham
Plain and simple, Mr. David Berkman has authored a comprehensive textbook/workbook on hip, expressive, colorful, meaningful jazz piano harmony. If Mr. Herbie Hancock is reading my review, I will say, "you already know all this stuff". Many other pianists will benefit from this book's content, layout, examples and the two CD's.
His opening premise is that many many students he hears seem to play tunes with limited, predictable, unadventurous chord changes they learned from the Real Book. This book aims to correct that fault.
I love this book a lot. The writing style is personable and easy to get into. The organization and examples are totally clear and useful. Working through this book with an adventurous ear and spirit (plus maybe a detailed study of Mr. Berkman's playing or Eldar's playing or whoever you like), would help bring any pianist up to date and open up his or her harmonic palette.
16 of 17 people found the following review helpful.
Amazing Book!!!
By ULIT JAIDEE
After self-studying jazz theories for a while, I felt like "jazz" has thousands for rules that I could not understand them all. It was just too much for me.
Finally, this amazing book helps me understand them step-by-step, bit-by-bit. I can create my own voicing with modern sound that I like.
Thank you to the author and his methods, David Berkman.
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